Margaret Laurence Writes Africa and Canada shows how Laurence and her characters negotiate complex tensions between “self” and “nation,” and argues that Laurence’s African and Canadian writing demonstrates a divided Canadian subject who holds significant implications for both the individual and the country of Canada.
The Life of Margaret Laurence isn’t a definitive biography, but only because there’s no such thing. But King’s is a full and fascinating book, as a narrative; as a rich view of the landscape of Canadian writing and publishing; and as an account of the complex forces that shaped Laurence’s remarkable body of fiction and its tormented.
In The Diviners however we are not enraptured enough by Morag's existential crisis, whatever it is, to take our eyes off the mechanics of the whole production. Now, if you had asked me some years ago about The Diviners, I would have offered a far different assessment. I might have rhapsodized about how much I loved Margaret Laurence's work. I.
Beyond being one of our finest writers, Margaret Laurence was a walking paradox -- accessible yet enigmatic, perhaps beyond the reach of any one person's analysis, but a fascinating subject for further study. Margaret Gunning writes for a variety of B.C. and national publications and has won awards for her plays, poetry, and non-fiction.
The novel is intimately concerned with voicing the problems of Margaret Laurence's generation as it emerged from the 1960s. It provides a drawing of Canada as a whole, a country then searching for a past in other people's stories. Laurence does this in The Diviners by pointing to issues that have since.